人間空間幾度交錯,只待此刻人間相遇~「末日飛船」與碩飛翔播映會

在電影圈被譽為「鬼才」的南韓導演金基德,其作品以強烈的象徵性著稱,是國際影展的常客並屢次獲得大獎。近年來,金基德雖受官司纏身,但他所執導的新作「末日飛船」(英文片名:Human, Space,Time and Human)仍在今年入選第68屆柏林影展(Berlinale)「世界電影大觀」,並於影展中首映,其後也獲選參加第36屆布魯塞爾國際奇幻影展(BIFFF)。

 

「末日飛船」講述一群搭上舊軍艦的旅客,在密閉的空間裡,展露人性的貪婪、殘酷與陰暗面。飄浮在空中的船身,猶如脫離了時間的人間容器,當資源行將耗盡,僅存的理性於焉支解,種種野蠻暴行接踵而至;謀殺者也是被害者,獻祭者最終淪為祭品,形同社會縮影的旅客與船員,一起無可控制地走向毀滅。片裡的角色都沒有名字,生平來歷也不重要。不論他們本來是誰,一旦生命受到威脅,都要狼狽地撕掉社會標籤、人格面具,赤裸裸地面對人性的真相。

 

延續過往的風格,金基德在「末日飛船」裡不留餘地的演繹著他心中的人類進行曲,以其擅長的隱喻及象徵手法,探討人類的起源發展,人間的混沌無明。一股宇宙莫之能禦的神秘力量操控了人性之惡,諷刺的是,這生物性同時也是人類繁衍的條件。暴力、掠奪、性慾、死亡所構成的幽暗基調,如同金基德其他的作品,在首映後引起了正反不一的評價。然而金基德透過本片直視人性,探索人類集體潛意識,譏刺現下被教條、私利、虛偽、機械性運作過度的社會,其企圖心不言可喻。

 

本片集結的強大演員卡司亦是受矚目的焦點。在南韓擁有「國民影帝」地位的安聖基,在片中飾演一位神秘的智慧老人,被認為是神性或造物者的象徵。日本女星藤井美菜所飾演的女主角「夏娃」隱喻眾生之母,經歷殘酷的遭遇和痛苦的求生過程,具有如大地般創生滋養,同時也會吞噬的強大陰性力量,化育著人類生死的迴圈。在日本被視為韓流明星代表人物,至今仍保持韓劇版權最高銷售紀錄的亞洲王子張根碩,在片中飾演男主角「亞當」。帶有宗教寓意而必須被引向誘惑的亞當,在道德與原始欲望之間掙扎擺盪,除了表現細膩複雜的內心戲外,張根碩也挑戰了個人從影以來最大尺度的演出。

South Korean director Kim Ki-Duk, a "genius" in film industry, is known for his strong symbolism and is a frequent guest to international film festivals. He has won numerous awards for his country. In recent years, though he has been plagued by lawsuits, his new work "Human, Space, Time and Human" was still chosen to be the premiere of the 68th Berlin Film Festival (Berlinale) and was later invited to be shown in the 36th International Fantasy Film Festival (BIFFF).

 

The movie "Human, Space, Time and Human" tells a group of passengers who boarded on warships and unnoticeably to reveal the greed, cruelty and dark side of humanity in a confined space. The hull floating in the air is like a human container that has been separated from time.As their food is running out, their rationality seems to get out of the shackles, and all kinds of barbaric atrocities come one after another; the murderer is also the victim, and the sacrificer is finally sacrificed. The  passengers and crew members are just like the miniature of the society, uncontrollably tend to the destroy. All the characters in the film have no names, and their background is not important, either. No matter who they are, once life is threatened, they must tear away social labels, masks, and face the truth of human nature.

 

Continuing the past style, Director Kim did not leave room in this movie to interpret the intrinsic human nature in this movie. With his metaphor and symbolism, he explored the origin and development of ignorant human beings. The mysterious power of the universe can control the evil of human nature. Ironically, this biologicality is also a condition for human reproduction. The dark tone of violence, plunder,sexual desire, and death, like other works by Director Kim caused a positive and negative evaluation after the premiere. However, through the film, Director Kim directly explores the human nature, explores the human collective subconsciousness, and stabbes the society that is being dogmatic, self-interested, hypocritical, and mechanically over-operated. Its attempt is beyond words.

 

The actors of the film are also the focus of attention. An Shengji, who has the status of "National Film King" in South Korea, plays a mysterious old man in the film and is considered a symbol of divinity or a creator. The actress "Eve", played by the Japanese actress Fuji Mina metaphorizes the mother of all beings, undergoes a cruel encounter and painful survival process, has a strong negative nourishment like the earth, and also swallows a powerful negative force, which bred human life and death. In Japan, the representative of the Korean Wave star, Asia Prince Jang Keun Suk, who still maintains the highest sales record of Korean dramas, plays the leading role "Adam" in the film. Adam, who has a religious meaning and must be led to temptation, struggles between morality and primitive desires. In addition to his delicate and complex inner drama, Jang Keun Suk also challenges the biggest scale of performance in the big screen.

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一般票(A區) 2018/08/21 00:00(+0800) ~ 2018/09/28 00:00(+0800) End of Sale
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